10 Ways Not to Start Your Novel
Starting your novel effectively is crucial for capturing your reader’s attention from the get-go. The first few pages set the tone for your entire story, introduce your main characters, and establish the setting and atmosphere. A compelling beginning can make your readers eager to know more about your characters and the plot, ensuring they stay engaged throughout the novel. On the other hand, a weak start can leave your manuscript gathering dust on a shelf. Here are ten common mistakes to avoid when starting your novel.
Avoid Info-Dumping
Nothing says “put this book down” quite like starting with an avalanche of background information. Imagine opening a novel and being buried under a landslide of details about the protagonist’s childhood, the history of the fictional world, and the intricate politics of an imaginary realm—all before the story even starts. It’s overwhelming and tedious.
Instead, weave your backstory and world-building details seamlessly into the narrative. Let the readers discover the world and the characters naturally, as the story progresses. Think of it like seasoning a dish: too much all at once, and it’s inedible.
Skip the Mundane
Unless your protagonist is about to discover a dragon in their sock drawer, starting with them waking up, brushing their teeth, or making breakfast is a surefire way to bore your readers to sleep. The daily routine might be a relatable slice of life, but it’s not usually the stuff of riveting fiction.
Begin your story with a moment of action or intrigue. Dive straight into the scene where something interesting or unusual happens. This way, you grab your readers’ attention from the very first sentence and keep them hooked, eager to turn the page.
Too Many Characters
Introducing too many characters right at the beginning of your novel can confuse and overwhelm your readers. Imagine stepping into a crowded room where everyone starts talking to you at once—chaos! Readers need time to form connections with your characters, and that’s hard to do if they’re bombarded with names and details from the get-go.
Start with one or two key characters and allow the readers to get to know them. Establish a clear voice and perspective before gradually introducing other characters. This way, your readers can invest emotionally in your protagonists and follow the story more easily.
Generic Openings
Starting with a cliché or overly familiar scenario can make your novel feel unoriginal and uninspired. Readers have seen the “waking up to the alarm clock” openings countless times. These generic beginnings can make your novel blend into the sea of similar stories.
To avoid this, strive for a unique and intriguing opening that sets your story apart. Think about what makes your story special and highlight that element from the very first page. An unexpected or unusual opening can capture your reader’s interest and set the tone for an exciting read.
No Conflict or Stakes
Starting your novel without any hint of conflict or stakes is a sure way to lose your reader’s interest. Readers need to feel a sense of urgency or tension right from the beginning. Without it, the story can feel aimless and dull.
Introduce an element of conflict or a question that needs answering early on. This doesn’t mean you have to start with a bang or a dramatic event, but there should be something that piques curiosity and makes the reader want to know what happens next. Remember, conflict drives the story forward and keeps readers engaged.
Overly Descriptive Settings
While it’s important to establish your setting, starting with an exhaustive description of the landscape can bog down your opening. Picture a writer lost in a jungle of words, trying to describe every leaf and branch. Readers may appreciate beautiful prose, but too much detail at the beginning can slow the pace and lose their interest.
Instead, weave your setting details into the action. Show the world through the characters’ interactions and experiences. A well-placed description here and there can create a vivid setting without overwhelming the reader. Remember, your goal is to paint a picture, not to write a travel guide.
Flashbacks or Dreams
Starting with a flashback or a dream sequence can be disorienting for readers. Imagine a character waking up, and instead of moving the story forward, you’re plunged into a dream filled with whimsical and confusing elements. It can be jarring and might disconnect readers from the main narrative.
If you must include a flashback or a dream, make sure it’s clear how it relates to the current storyline. Use these devices sparingly and ensure that the primary narrative is strong enough to keep readers engaged. The beginning of your novel should establish the main plot, not confuse readers with a side story.
Passive Voice
Starting your novel in the passive voice can make your opening feel weak and unengaging. Imagine a character passively sitting in a chair while action scenes happen all around them—they’re uninvolved and disinterested, and so are your readers.
Active voice creates a stronger, more immediate connection with your audience. It places characters and actions at the forefront, making the narrative dynamic and compelling. Instead of saying, “The meeting was attended by the committee,” say, “The committee attended the meeting.” Make sure your characters are driving the action right from the start.
Dialogue-Only Openings
Starting your novel with a conversation can be risky. Without context, readers might struggle to understand who is speaking, where they are, and why the conversation matters. Picture two characters having an animated discussion, but a reader is left confused, trying to catch up.
If you choose to open with dialogue, ensure it’s clear who the characters are and why their conversation is significant. Provide enough context through the narrative to ground the reader in the scene. Balance dialogue with action and description to create a vivid and comprehensible opening.
Overly Complex Language
Using dense, complex language at the start of your novel can alienate readers. Imagine struggling through a manuscript filled with long, confusing words and phrases—it’s not exactly a warm welcome.
While it’s important to showcase your writing skills, clarity should always come first. Aim for language that is accessible and engaging. Save the intricate prose for when readers are more invested in your story and characters. Your opening should invite readers in, not send them running for a dictionary.
Conclusion
Starting your novel on the right foot is essential for hooking your readers and keeping them engaged. By avoiding these common pitfalls, you can craft an opening that captivates and intrigues. Remember, the beginning of your novel sets the stage for everything that follows, so make it count. Happy writing!
Hi, there. I hope you enjoyed this article. While you’re here why not wander a little more in the Rambling Realm or check out my YA fantasy debut, Treasures of Egypt: The Spear & the Scythe? If you’d like to receive updates on future articles and novels do consider signing up for my newsletter.
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